Showing posts with label savage slot. Show all posts
Showing posts with label savage slot. Show all posts

May 3, 2010

The Subject(s) of Anthropology

What is anthropology? What does anthropology tell us about the world that we live in? What claims to truth does this “anthropology” have, and how can those claims be challenged, evaluated, and measured against other forms of knowledge? Anthropology is not as monolithic and unified as it may seem to a first year undergraduate who is forced to sit through her/his first class on the subject—despite the cohesive narratives that many introductory textbooks present. Still, certain ideals about anthropology—as promulgated by particular institutions, organizations, and individuals—do exist. Anthropologists have their particular characterizations of what it is that they actually do: they study humans. But not just any humans; historically speaking, anthropologists have made the non-western Others their intellectual stock and trade. This academic and methodological focus is what Michel-Rolph Trouillot calls the “Savage slot,” and it needs some dramatic rethinking if anthropology is to remain a viable mode of inquiry.

The anthropologist Clyde Kluckhohn once wrote, “Seen from the outside, anthropological activities look, at best, harmlessly amusing, at worst, pretty idiotic” (Kluckhohn 1961: 13). A few pages later he also wrote, “Studying primitives enables us to see ourselves better” (Kluckhohn 1961: 16). This was in his famous text Mirror for Man, which was, according to the 1961 Preface, meant as a book “for the layman, not for the carping professional”. According to Kluckhohn, anthropology is perfectly suited to discover the common ground that exists between “human beings of all tribes and nations” (1961: 9). Why, of all disciplines from sociology to political science, is anthropology so well suited for this project? It seems that we, the audience of anthropology, are simply expected to accept this narrative as a matter of course.

In the preface to the 1949 edition of Coming of Age in Samoa, Margaret Mead wrote, “I had decided to become an anthropologist—in May, 1923—because Franz Boas and Ruth Benedict had presented the tasks of anthropology as more urgent than any other task which lay ready to the choice of a student of human behavior” (Mead 1960: ix). What was this calling that Mead felt so compelled to join? It was the discipline that was charged with documenting and analyzing “the cultures of people” that was “perishing rapidly” (1960: ix). For Mead (and other Boasians), anthropology was all about traveling to the margins of the western world, in order to salvage the remnants of what Michel-Rolph Trouillot might call the west’s imagined other half. Still, many questions remain unanswered, despite the hegemonic clarity of purpose that the American Anthropological Association exhibits. How did anthropology become the discipline that specializes in a world of Others? How did anthropology become the academic savior that the west sent out into the world to capture the essence of the “rest”?

According to Trouillot, “anthropology belongs to a discursive field that is an inherent part of the West’s geography of imagination. The internal tropes of anthropology matter much less than this larger discursive field within which it operates and upon whose existence it is premised” (Trouillot 2003: 8). While many anthropologists—past and present—define the field in what sounds like an objective, detached manner (as if anthropology suddenly and naturally arose specifically to bring the non-western world into focus), Trouillot argues instead that anthropology is a distinct part of the very system, or field of knowledge, that it claims to analyze, challenge, and illuminate. Anthropology, according to Trouillot, does not exist outside of either the west or the west’s Other; anthropology is the west, and the “other” is little more than a creative exercise in western self-reflection. The job of the anthropologists, then, is to hold up the mirror (as Kluckhohn’s title fittingly suggests).

This study of the Other, or the Savage slot, is not something that anthropology invented; instead, it is a practice that was once the domain travel accounts and literature (Trouillot 2003: 19). The west has been manufacturing its exotic Others for centuries, and it was only relatively recently that a particular specialized discipline arose to consolidate that effort. The problem, however, is that anthropologists accepted this role without questioning the overall philosophical project they became a part of. As Trouillot argues, anthropology “inherited a disciplinary monopoly over an object that it never bothered to theorize” (Trouillot 2003: 19). The foundations of anthropology relied upon a particular conception of the world that masks historical relationships while claiming to generate cross-cultural understanding and knowledge, all in the name of “humanity.”

The invention of anthropology was a part of the invention of the west itself. Anthropology and the west are co-constituted: “To historicize the West is to historicize anthropology and vice versa” (Trouillot 23). As Wolf writes, “We have been taught, inside the classroom and outside of it, that there exists an entity called the West, and that one can think of this West as a society and civilization independent of and in opposition to other societies and civilizations” (Wolf 1982: 5). Part of the creation of the western world, then, was the conceptual creation of the non-western Other, whose very existence was seen as evidence of the apparent division between the west and the non-west. The “people without history” (Wolf 1982) provided the self-defined west with grounds for investigating the basic nature of humanity. As Wolf explains, “If social and cultural distinctiveness and mutual separation were a hallmark of humankind, one would expect to find it most easily among the so-called primitive people” (1982: 4). And this is exactly the role that anthropology took charge of. Anthropologists, starting in the nineteenth century, explored the edges of the western world first by assuming that there was a west in the first place, and then by accepting the long-held notion of the Savage Other.

This intellectual practice has resulted, as Spivak and others have argued, in a radical erasure of the voice of the subaltern other—this is what Spivak refers to as “epistemic violence,” or the strategically employed use of western knowledge systems as a means of subjugation (Spivak 1988: 280). “The clearest example of such epistemic violence,” writes Spivak, “is the remotely orchestrated, far-flung, and heterogeneous project to constitute the colonial subject as Other. This project is also the asymmetrical obliteration of the trace of that Other in its precarious Subject-ivity” (Spivak 1988: 280-81). In speaking for the unvoiced Others, anthropologists and other western academics have only created silence and reified difference.

By accepting and playing into the west-Other dichotomy, anthropology has furthered this process of differentiation, while discreetly casting its intentions in benevolent light. This study of the non-west was undertaken, after all, in the name of knowledge, understanding, and humanity. However, as Trouillot forcefully counters, “To be sure, anthropologists to this day keep telling both undergraduates and lay readers that their practice is useful to better understand ‘ourselves,’ but without ever spelling out exactly the specifics of this understanding, the utopias behind this curiosity turned profession” (Trouillot 18). This is what needs to be challenged, rethought, and re-imagined.

Ultimately, Trouillot argues that anthropologists have to radically rethink the basic assumptions about their approach to the world if they are to remain viable in any way. There is, according to Trouillot, no such thing as the “Savage slot,” and there never was (2003: 27). And if anthropology has built its foundations around exploring this territory, what is left for anthropologists to study? How can they continue? Trouillot, Wolf, and Spivak argue that western academics have to critically challenge the very categories and assumptions that they use as basic starting points, lest they continue to cast shadows of silence upon the subjects that they claim to understand or give voice to. What is left of anthropology when this “Savage slot” is removed? What can anthropologists aspire to accomplish? As Trouillot argues, “At the very least, anthropologists can show that the Other, here and elsewhere, is indeed a product—symbolic and material—of the same processes that created the West” (Trouillot 28). There is no separate trajectory for the “west” and its others.

Human history cannot be broken down into discreet, absolute parts—human societies are not simply “billiard balls” that exist in compartmentalized realities that occasionally collide (Wolf 1982: 6). A new conception of the discipline has to reflect the complexities, interconnections, differences, and commonalities of human history, while avoiding the faulty foundations of exoticism and reified difference that has plagued the western project for far too long. As Trouillot argues, “There is no Other, but multitudes of others who are all others for different reasons, in spite of totalizing narratives” (2003: 27). The anthropological task is to reflect upon those reasons, while radically challenging the foundations of certain 'totalizing' narratives.


References

Kluckhohn, Clyde. 1961. Mirror for Man. New York: McGraw Hill.

Mead, Margaret. 1960. Coming of Age in Samoa. New York: Mentor Books.

Spivak, Gayatri. 1988. “Can the Subaltern Speak?” In Cary Nelson and Larry Grossberg, eds., Marxism and the Interpretation of Culture. Urbana: University of Illinois Press.
---1999. A Critique of Postcolonial Reason: Toward a History of the Vanishing Present. Cambridge: Harvard University Press.

Trouillot, Michel-Rolf. 2003. Global Transformations.

Wolf, Eric. 1982. Europe and the People Without History. Berkeley: University of California Press.

April 1, 2010

Anthropology as a Repository of the Exotic? Or: Anthropology and the PR Problem

A couple of things have me thinking (again) about the nature of anthropology--as if I ever stop wondering about that.

The first was this post over at the Open Anthropology Cooperative, which finally generated an interesting discussion--thanks mostly to David Picard. As I already noted in another post a while back, I was a little surprised that the initial request by Mr McDermott was not received more critically. His request was, after all, basically flying in the face of contemporary anthropology, with the stated intent of finding some good "remote" and "colorful" festivals and people to photograph for the pages of National Geographic. Overall, I took issue less with the request itself than with the fact that the photographer had certain understandings about anthropology that made it seem reasonable to make such a request.

The second thing that got me thinking about all of this was a book called "Global Transformations," which isn't exactly new. But it's still pretty relevant, if you ask me. Anthropologists have, as Michel-Rolph Trouillot wrote, tended to focus their skills and attention on the so-called "Savage Slot." So in some senses it's not really a surprise that someone would consult an online group of anthropologists in search of exotic photographic opportunities. And this is a PR problem that lies squarely at the feet of anthropologists themselves, if you ask me.

Why is it that the "general public" (whatever that really is) often thinks of either Indiana Jones, dinosaurs, insects, or the so-called mysteries of 2012 when they hear the word "anthropology"? I'm not kidding about this. I have answered the "what exactly is anthropology again" question more times that I can count. At least some people get somewhat close when they ask if that's kind of like what Ross from "Friends" did (no, that was paleontology). How did this fate come to pass? Why is it that 19th century ideas about culture pervade public media discourses? David Brooks, Samuel Huntington, and Lawrence Harrison are just a few examples of the ways in which the notion of "culture" has been hijacked and used to support less than spectacular arguments about human society. This is unacceptable. But sitting on the veranda of the university and talking about all of the complexities of culture isn't going to get anyone anywhere.

Again, I refuse to blame the media, the public, or even Herbert Spencer for these issues. This is an internal issue that anthropologists need to address. It's a matter of public dialog and communication, and it's a matter of making contemporary anthropological positions and ideas known. Media matters, and so does design, presentation, and dissemination. What do I mean by that? I mean that dense ethnographies are great and all, but there there has to be some other forms of knowledge production, presentation, and dissemination if things are going to change. If political scientists and economists can get their ideas out there, so can anthropologists. Important point: this is not about writing "easy" ethnographic or anthropological publications. It IS about rethinking how we use and engage with media, for starters.

I think that part of the basic issue lies in the overall image of anthropology, which to me is stuck somewhere around 1890 or so. A lot has happened since then, of course, but for some reason the public perception of the discipline seems to be about 100 years or so behind the times. Why? Maybe this is due to some of the political disasters that anthropologists ran into in World War I, World War II, Vietnam, etc. Maybe.

But how long are anthropologists going to hide behind "complicated" excuses before they move on and start getting ideas out there in the public sphere? Yes, 19th century anthropology was anything but perfect, and Ruth Benedict's mid 20th century notions about national character were, well, WAAAAAAY off the mark, and yes Vietnam was certainly "problematic" to say the least. But those are not reasons to remain silent and disconnected. In fact, that's all the more reason to enter the larger debates and discussions.

The issue here is like publishing a mistake on the front page, and then only issuing a retraction on page 67 the next day. The front page mistake lives on if nothing is put out to counter it. Maybe that's why certain themes about national tendencies hold sway in a lot of public debate (people from the Middle East are like X, people from Africa are Y, and Americans are Z). Nonsense. Down with the massive stereotypes! I am not arguing for a unified political party or position; I AM arguing that it's about time that the diversity of anthropological insights and voices see the public light of day (or at least we all work in that direction).

This is definitely NOT a problem of relevance. Anthropologists study everything from health care to immigration to race to genocide to political economy to poverty to war to violence to international development to social networking sites like Facebook. There is relevance in spades when it comes to contemporary anthropological work. Relevance, in fact, is the least of our worries. So what is? Reputation and recognition. Anthropologists are constantly mistaken for the fictional 19th century version of themselves, and this presents some obvious problems. Being mistaken for someone who wears a pith helmet and observes the "natives" is worse than being non-existent.

I agree with Trouillot. It's time for anthropologists to ditch the "Savage Slot" once and for all. And, for the most part, I think this has already happened within the discipline--now it's a matter of making this clear to the rest of the world. Exoticism isn't what anthropology is all about, and it isn't what anthropologists should be known for. Anthropology, as I see it, is not about the strange and exotic; it's about human experience in all times and places. Right? The goal isn't to make fetishize the strange, but instead to foster dialog and discussion about the multiplicities of human thought, history, behavior, and experience. This doens't mean that anthropologists should stop studying people and places all over the world--it means that we should work hard to avoid having our work cast in exotic, romantic terms. It means that anthropologists have to reshape public ideas about what anthropology is really all about (and this isn't going to happen at the annual AAA meetings). This requires not only an active participation in the production and presentation of anthropological texts, films, articles, websites, and presentations, but also a forceful (and engaging) interaction with wider audiences.

There are lots of anthropologists out there doing timely, relevant, and important work. More than enough. Now it's time for more people to hear about it, and for the closed academic debates to become a part of the unwieldy--yet critically important--wider public discussions about humanity, politics, and society. Why are economists a part of wider public debates and arguments? Because people have actually heard of Paul Krugman, Alan Greenspan, Ben Bernanke, and (just ask the development folks), Milton Friedman.

If we're really lucky, the wider public has heard of someone like Paul Farmer, or maybe someone like David Attenborough. Maybe. More often, the most recent public figure that people can recall is someone like Margaret Mead. There's nothing wrong with that, except for the fact that several decades have passed by in the mean time.

In summary, it's time to step out of the shadow of the 19th century. It'll be a good day when the general public hears as much (or more) from Leo Chavez about immigration as they do from Lou Dobbs.